Abstract
The concept of Analogy varies with the number of basic inputs and the difference in the influence of the basic inputs affecting their composition. In its general concept, architecture has two aspects related to the nature of the formation of analogue thinking: the first is its physical entity, which reflects the visual and visual values and the connection to the formal aspect, and the conceptual one related to the intellectual aspect and the nature of its composition , Through the mutual influence between the reality of the external entity and the nature of the ideas that man tries to reach, the research attempts to explore the concept of one of the necessities of the doctrines and the architectural movements in the production of architecture represented by analogue thinking The problem of research is based on [the need for a clear and specific knowledge in the definition of the concept of analogue thinking as a design strategy and mechanisms for the production of modulation according to analogue thinking at the level of form, structure and function in the products of global architecture] Solving the research problem by selecting a set of global samples. In this research, it is assumed that analogue thinking is an integral part of the analogy as a strategy and that to achieve analogue thinking, the products must be content within the reference, A number of different global samples with different time periods have been designed to be based on the strategy of analogue thinking, the variation in the construction period and the variation in their design characteristics in terms of Formal, functional and structural. This diversity and diversity of material production in the process of tracing the purpose of the research in particular. And from which these samples can be applied to apply the concepts derived from the theoretical framework to achieve the hypothesis of research. The research aims at building a comprehensive framework for the analogy strategy and revealing its role in the formation of the architectural products, crystallizing a measurement tool for the analogy achieved as a method of thinking and its impact on the continuity of the architectural products and applying it to the architecture to be the reference of evaluation of architectural projects, whether in competitions or the academic field. That analogue thinking depends on the transition of mind by incorporating more than one idea to form the creative product achieved in reality, indicating the difference in the work of the analogy from the other creative channels where analogue play plays a role in the creation and the bringing of unusual ideas, approach to creative design and that man deals with architecture intellectually before the process of production is configurable.
